Jurnal Ilmu Bahasa, Sastra dan Pengajarannya
Title : Jurnal Ilmu Bahasa, Sastra dan Pengajarannya Abbreviation : j.ilmu.bahasa. DOI Prefix : 10.37729/jibsp ISSN : 2829-7881 (e) Type of review : Single Blind Frequency : Twice a year (May and November) Editor in Chief : Dr. Yuli Widiyono, M.Pd. Managing Editor :Dr. Aris Aryanto, S.S., M.Hum. Indexing : Google Scholar Focus & Scope : Click here
Department Javanese Literature and Language Education in Collaboration with Faculty of Teacher Training and Education Muhammadiyah University of Purworejo
A DEIXIS ANALYSIS OF THE NOVEL LAKON BY ARDINI PANGASTUTI BN
The purpose of this study is to identify the types of deictics in the novel Lakon by Ardini Pangastuti Bn through a pragmatic analysis using George Yule’s theory. This is a qualitative study in the field of literature. The primary data sources in this study consist of all forms of deictics, including words, phrases, and clitics found in the novel Lakon, while the secondary data sources consist of books and articles that support the analysis. Data collection techniques include literature review, observation, and note-taking. The data analysis technique is content analysis, which involves a comprehensive examination of the text, while data presentation is conducted informally. The results of the study reveal three types of deictics in the novel Lakon, namely: 1) personal deictics, including: a) free-form first-person singular deictics, such as The results of the study reveal three types of deictics in the novel Lakon, namely: 1) personal deictics, including: a) free-form first-person singular deictics, such as aku and kula; right-bound first-person singular deictics, namely –ku; and free-form first-person plural deictics, such as awake dhewe. b) free forms of second-person singular deictics include kowe, awakmu, sampeyan, panjenengan, and njenengan; the right-bound form of second-person singular deictics is –mu; c) free forms of third-person singular deictics include dheweke; the right-bound form of third-person singular deictics is –e; 2) Spatial deictics found include the forms kene and mrene, which indicate a place close to the speaker; the forms kono and mriku, which indicate a place somewhat distant from the speaker; and the forms mrana and kana, which indicate a place far from the speaker; 3) Temporal deictics found include the form saiki, which refers to the present time. Deixis indicating the past or a time that has already occurred uses the forms semana, mbiyen, and biyen.
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A STUDY OF DENOTATIVE AND CONNOTATIVE MEANINGS IN THE SONG LYRICS OF NDARBOY GENK
This study is motivated by the richness of meaning found in Javanese song lyrics, which may lead to various interpretations, particularly in the songs of Ndarboy Genk. Song lyrics function not only as entertainment but also as a medium for conveying emotional, social, and cultural messages through denotative and connotative meanings. The problem addressed in this study concerns how denotative and connotative meanings are represented in Ndarboy Genk’s song lyrics. This research aims to describe both types of meaning in five selected songs, namely Balungan Kere, Koyo Jogja Istimewa, Ojo Nangis, Anak Lanang, and Lanang Tenan. This study employed a descriptive qualitative approach. The data consisted of words, phrases, and sentences in the song lyrics containing denotative and connotative meanings. Data were collected through reading and note-taking techniques. The data were analyzed using a semantic approach by identifying, classifying, and describing meanings based on their contextual usage. The findings reveal that connotative meanings are more dominant than denotative meanings. Denotative meanings are used to convey literal realities directly, while connotative meanings express emotions, inner conflicts, social criticism, and Javanese cultural values. The use of figurative language further strengthens the connotative meanings within the lyrics. Overall, Ndarboy Genk’s songs represent values such as hard work, simplicity, responsibility, and the worldview of Javanese society. This study concludes that the song lyrics contain rich linguistic and cultural meanings worthy of semantic analysis.
A PSYCHOLOGICAL ANALYSIS OF LITERATURE AND READERS OF THE NOVEL SEKAR RINONCE BY TULUS SETIYADI
This study aims to describe the literary psychology (id, ego, superego) in Tulus Setiyadi’s novel Sekar Rinonce and the psychology of readers of Tulus Setiyadi’s novel Sekar Rinonce. Methodologically, this study is descriptive and qualitative. Data collection techniques include literature review and interviews. The research instruments were the researcher and the informants, with additional instruments consisting of data recording sheets and relevant literary study books. The data validity techniques used in this study were increased rigor and triangulation. The data analysis technique used content analysis. The data presentation technique used an informal method. The research findings regarding the literary psychology of the novel Sekar Rinonce by Tulus Setiyadi, examined through Sigmund Freud’s psychoanalytic theory of personality, are as follows: (a) the id in the character Yuli in Sekar Rinonce manifests as an outpouring of her emotions when facing problems; (b) the ego in the character Yuli manifests as a means of restraining those emotions; (c) the superego of the character Yuli takes the form of a process of moral reflection and introspection regarding the events that occur. The psychology of readers of Tulus Setiyadi’s novel Sekar Rinonce: (a) cognitive processes in the form of readers’ analysis or understanding of Tulus Setiyadi’s novel Sekar Rinonce; (b) readers’ affective processes in the form of impressions or feelings after reading Tulus Setiyadi’s novel Sekar Rinonce; (c) evaluative processes in the form of moral values that can be derived from Tulus Setiyadi’s novel Sekar Rinonce.
APPLICATION OF THE WINDOW SHOPPING LEARNING MODEL ON PAWARTA MATERIAL TO IMPROVE THE WRITING SKILLS OF CLASS VIII STUDENTS AT SMPN 22 PURWOREJO
This study aims to improve the news text (pawarta) writing skills of eighth-grade students at SMPN 22 Purworejo through the application of the window shopping learning model. The background of this research is the low writing skills of students, particularly in understanding the structure, elements, and proper use of the Javanese language. The method used in this study is Classroom Action Research (CAR) conducted in two cycles, each consisting of the stages of planning, action, observation, and reflection. The research subjects were 28 students. Data were obtained through observation, writing tests (pretest and posttest), and documentation, with instruments including observation sheets and a writing assessment rubric covering content completeness, text structure, language use, and creativity. The results of the study showed a significant increase in the average score from 59.1 in cycle I to 80.5 in cycle II, with more than 85% of students reaching the Learning Stage Mastery Criteria (KKTP). In addition to improving learning outcomes, this model encouraged active student participation in discussions, group collaboration, and the ability to give and receive feedback. The conclusion of this study emphasizes that the window shopping learning model is effective in improving students’ ability to write news texts, while also creating an interactive and collaborative learning atmosphere.
PERFORMANCE FORM ANALYSIS AND SYMBOLIC MEANING OF UBARAMPE JARAN KEPANG ART TURANGGA SAKTI SEMAWUNG VILLAGE PURWOREJO DISTRICT PURWOREJO REGENCY
This research is motivated by the enduring existence of jaran kepang traditional art, which remains popular as a form of entertainment among the people of Purworejo and continues to develop in line with changing times. Although numerous studies on jaran kepang have been conducted, research specifically examining the performance structure, the symbolic meaning of ubarampe (ritual offerings), and the functions of the Turangga Sakti group in Semawung Village, Purworejo District, Purworejo Regency, is still limited. Therefore, this study aims to describe: (1) the performance form of the Turangga Sakti jaran kepang in Semawung Village, (2) the symbolic meaning of ubarampe in the performance, and (3) the functions of the Turangga Sakti jaran kepang art. This study employs a qualitative approach with a descriptive method. Data collection techniques include observation, interviews, and documentation. The research informants consist of the chairman, vice chairman, and senior members of the art group. Data analysis is conducted using descriptive qualitative techniques, while data validity is tested through triangulation. The results show that the jaran kepang performance of Turangga Sakti in Semawung Village consists of interconnected elements, including history, performers, shamans (pawang), singers (wiraswara and waranggana), performance time and place, musical instruments, makeup, costumes, dancer properties, and ubarampe or ritual offerings. These elements are harmoniously integrated, producing a structured and cohesive performance. The symbolic meaning of each ubarampe represents an expression of human gratitude to God Almighty. Furthermore, the functions of this art include a medium for self-expression, entertainment, education, cultural preservation, and community economic support.
FORM AND SYMBOLIC MEANING IN THE TEDHAK SITEN TRADITION IN MRENTUL VILLAGE BONOROWO DISTRICT KEBUMEN REGENCY
This study aims to describe the form of the tedhak siten tradition and its symbolic meaning as practiced by the community in Mrentul Village, Bonorowo District, Kebumen Regency. This study uses a qualitative descriptive method. Data collection was carried out using observation, interviews, and documentation techniques. Geertz's symbolism theory was applied to interpret the symbols of offerings in the tedhak siten tradition. The results of the study show that the tedhak siten tradition consists of elements of the origin of the tradition, the time of implementation, the place of implementation, the actors of the tradition, and the sequence of implementation of the tradition. The tedhak siten tradition is still preserved as a cultural heritage passed down from generation to generation by the Javanese people. The tedhak siten tradition is performed when a child is pitung lapan (1 lapan: 35 days in the Javanese calendar) or 245 days in the Gregorian calendar. The symbolic meaning of each offering, such as the seven-colored jadah, sugar cane ladder, chicken cage, and udhik-udhik, represents the parents' hopes for their child's future, that they will become an independent, moral individual who is useful to society. This tradition also reflects the acculturation between Javanese culture and Islamic teachings that still exists in modern society.
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THE FORMS AND SYMBOLIC MEANINGS OF THE REJEBAN TRADITION AT PESAREAN OF NYI CANDI IN JENAR WETAN VILLAGE, PURWODADI DISTRICT, PURWOREJO REGENCY
This study aims to describe the main elements and symbolic meanings contained in the Rejeban tradition at Pesarean Nyi Candi in Jenar Wetan Village, Purwodadi District, Purworejo Regency. This tradition is a form of local cultural preservation that has been passed down from generation to generation and holds strong spiritual and social values in the lives of the Javanese People. The analysis of symbolic meaning in this tradition is based on Clifford Geertz’s theory of symbols. The research method used is qualitative with an ethnographic approach. Data collection techniques include passive participant observation, semi-structured interviews, and documentation. The validity of the data was tested using source triangulation, while data analysis was carried out through the stages of data reduction, data presentation and drawing conclusions. The results of the study show that the Rejeban traditional consists of fibe main elements: (1) the origin of the pesarean (grave site), (2) the time of implementation, (3) the place of implementation, (4) the participants involved in the tradition, and (5) the stages of the rotual process. The ritual process is divided into two phases: the pre-imolementation phase include preparatory meetings and the arrangement of uborampe (ritual offerings), while the implementation phase includes grave cleaning, the slaughtering of a female wedhus gembel, a communal feast, and a traditional jaran kepang performance. The symbols whihin the Rejeban tradition, such as the female wedhus gembel and ancak, carry symbolic meanings that reflect Javanese cultural values, including respect for ancestors, the spirit of mutual cooperation, and expressions of gratitude to God Almighty.
MORAL VALUES IN THE WAYANG KULIT STORY PALASARA RABI BY KI ROESMADI
This study aims to describe the intrinsic elements and moral values in the Palasara Rabi shadow puppet story by Ki Roesmadi. This study uses qualitative descriptive research with data collection techniques in the form of observation and note-taking. Intrinsic elements are analyzed using Nurgiyantoro's intrinsic element theory. Wicaksono's moral value theory is used as moral value analysis. The research instrument is the researcher. The main data source is obtained from performance documentation in the form of DVDs. The results of the study show that the main theme of the story focuses on matchmaking strategies as a form of political diplomacy between kingdoms. The intrinsic elements found in the Palasara Rabi story include: 1) characters; there are several characters, namely: Kanjeng Dirwaji, Dewi Durgandhini, Durgandhana, Patih andra Patih, Sisingaraja; 2) the storyline uses a forward plot; 3) setting: place, time, and social setting; 4) style of language used: metaphorical language; 5) point of view: third person; 6) moral of the story: marriage decisions should not be based solely on political interests, but should also consider honor and policy. The moral values found in this play include the relationship between humans and God, fellow humans, oneself, and nature. In the relationship with God, an attitude of devotion and gratitude is depicted; in relationships with fellow humans, the values of honesty, empathy, and cooperation emerge; and in relationships with oneself, reflective attitudes and responsibility are reflected; while moral values in relationships with nature are demonstrated in the importance of cultural and environmental preservation.
A STUDY OF LITERARY ECOLOGY IN THE NOVEL LEDHEK SAKA ERENG-ERENGE GUNUNG WILIS BY TULUS SETIYADI
This study aims to describe the study of literary ecology in the novel Ledhek saka Ereng-Erenge Gunung Wilis by Tulus Setiyadi. This type of research is qualitative descriptive research. The source of the research data is in the form of the novel Ledhek saka Ereng-Erenge Gunung Wilis by Tulus Setiyadi. The data of this research is in the form of words, phrases, clauses, sentences which are aspects of literary ecology contained in the novel Ledhek saka Ereng-Erenge Gunung Wilis by Tulus Setiyadi. The data collection technique uses the literature technique, see and record. The instruments of this research are data loggers and stationery. The data analysis technique used is content analysis. The technique of presenting the results of the analysis uses an informal method. Based on the results of the research, there are (a) Aspects of natural ecology of the novel Ledhek saka Ereng-Erenge Gunung Wilis by Tulus Setiyadi including wind (6), animals (5), sky (3), plants (6), stars (4), land (1), sun (2), rainbow (1), rain (1), water (1), and stones (2). (b) The aspects of cultural ecology contained in the novel Ledhek saka Ereng-Erenge Gunung Wilis by Tulus Setiyadi include myths or beliefs of the Javanese people.
MORAL VALUE IN THE SHADOW PUPPET KRESNA DUTA LAKON SANGGIT KI SENO NUGRAHA AND THEIR RELEVANCE IN EVERYDAY LIFE
This study aims to describe the moral values in Ki Seno Nugraha's Kresna Duta sanggit (creativity) shadow puppet play and its relevance to everyday life. The analysis in this research employs the moral value approach proposed by Andri Wicaksana. This study adopts a descriptive qualitative method, with data consisting of transcripted dialogues that contain moral values and their relevance. Data collection techniques include literature study, observation, and note-taking. Data analysis involves the processes of reduction, presentation, and conclusion drawing. The findings indicate that the moral values reflected in this play include democratic attitudes, steadfastness in principles, and devotion to one’s mother. These values have a significant impact on daily life, serving as a foundation for ethical behavior, strengthening social bonds, preserving the environment, and shaping responsible and morally upright individuals. Thus, these moral values play a crucial role in creating a more harmonious and meaningful life.
FORMS OF SYNONYMS IN THE SEPATAH MALAY LANGUAGE OF SENGAH TEMILA SUBDISTRICT LANDAK REGENCY: A SEMANTIC STUDY
This study aims to describe the forms of synonyms in the Malay language of Desa Sepatah, located in the Sengah Temila District, Landak Regency, using a semantic approach. Synonyms in this language are divided into three main categories: absolute, propositional, and partial synonyms. Absolute synonyms refer to pairs of words that can replace each other in a sentence without changing the intended meaning, such as the pair pangan and ayong, which both mean ‘friend.’ Propositional synonyms describe pairs of words that have almost identical meanings but are used in specific contexts, such as gemok and bantet, which both mean ‘fat.’ Meanwhile, partial synonyms refer to pairs of words that cannot replace each other in the same sentence due to more specific differences in meaning, such as remok and rebok, which both mean ‘damaged.’ This study uses a qualitative descriptive method with data collection techniques through observation, active participation in conversations, and recorded conversations. The results show that the use of synonyms in the Malay language of Desa Sepatah is clearly categorized into these three types, in line with the intended meaning. Therefore, understanding synonyms is essential to enriching vocabulary and preserving regional languages as part of the local community's cultural identity.
ANALYSIS OF RHETORICAL AND FIGURATIVE LANGUAGE STYLES IN GEGURITAN COLLECTION DJAKA LODANG MAGAZINE FEBRUARY-MAY 2014 EDITION
This study aims to describe the rhetorical and figurative language styles in geguritan (traditional poetry forms in Javanese) collection of Djaka Lodang magazine in February-May 2014 edition. This type of research is qualitative research. Data collection used documentation technique. Data analysis used descriptive method. The result of the research shows that the language style in the collection of geguritan of Djaka Lodang magazine in February-May 2014 edition consists of rhetorical language style from 69 geguritan including: alliteration, assonance, anastrophe, apostrophe, asindenton, polysindenton, periphrasis, chiasmus, ellipsis, euphemism, hysteron proteron, pleonasm and tautology, erotesis, silepsis, correction, and hyperbole. The figurative language styles of the 69 geguritan include: simile, metaphor, personification, epithet, synecdoke, metonymy, antonomasia, irony, cynicism, sarcasm, and paranomasia. The collection of geguritan in the February-May 2014 edition of Djaka Lodang magazine illustrates that stylistic elements in a poem can add an aesthetic touch and enrich the meaning.
THE SOCIAL CONFLICT AND EDUCATIONAL VALUES IN THE SHORT STORY COLLECTION LELAKONE SI LAN MAN BY SUPARTO BRATA
The purpose of this research is to describe social conflicts and educational values found in the short story collection Lelakone Si lan Man by Suparto Brata. The discussion of social conflicts applies Lewis A. Coser's theory, and the analysis of educational values uses Andri Wicaksono's theoretical concept. This research falls under the category of qualitative descriptive research. In this study, data collection techniques used include observation and note-taking. The research instrument is the researcher themselves, with additional instruments such as data recording cards. The analysis technique employed in this study is qualitative descriptive with a literary sociology approach. The results of the analysis indicate that: (1) The social conflicts found in the short story collection can serve as a reference for behavior, aiming to prevent harmful conflicts. (2) The educational values in the short story collection are reflected in the good and bad behavior of the characters. Good behavior can serve as a model to be applied in life, while bad behavior should be avoided. Such behaviors are often found in social life.
FORM AND SYMBOLIC MEANING OF GREBEG MAKUKUHAN TRADITIONAL CEREMONY IN KEDU VILLAGE KEDU DISTRICT TEMANGGUNG REGENCY
This study aims to describe the form and symbolic meaning of offerings (ubarampe) in the Grebeg Makukuhan traditional ceremony in Kedu Village, Kedu sub-district, Temanggung Regency. The primary data sources of this research are informants who know in depth about the Grebeg Makukuhan traditional ceremony. Secondary data sources are documentation and books about the Grebeg Makukuhan traditional ceremony, as well as previous studies on the Grebeg Makukuhan traditional ceremony in Kedu Village, Kedu Subdistrict, Temanggung Regency. Data collection techniques using participant observation, structured interviews, and documentation in the form of notes, photographs, books, recordings of interviews, and relevant research. Data validity testing techniques using triangulation of data sources and methods. The research used qualitative methods with an ethnographic approach. The results showed that the form of the Grebeg Makukuhan tradition ceremony was motivated as a form of respect for the ancestral figure, Ki Ageng Makukuhan, who is believed to bring Islam and bring goodness to the people of Kedu. There are several versions of the story of Ki Ageng Makukuhan. The form of the procession of the Grebeg Makukuhan traditional ceremony, namely (1) Pre-implementation, in the form of ruwat ringin, draining or cleaning Sendang Planangan, and simakan Al-Qur'an. (2) The core event, in the form of Lukir langse, haul Ki Ageng Makukuhan, Sadranan. (3) Post-implementation, in the form of ngumbah jaran. The symbolic meaning of offerings or ubarampe at the Grebeg Makukuhan traditional ceremony is: Tumpeng, ingkung ayam in the form of chicken cemani, market snacks, flowers, incense, hasta tirta, and ageman cloth. The community considers that the Grebeg Makukuhan tradition ceremony is a means of cultural education for the younger generation and children.
INDIRECTNESS OF EXPRESSION IN A COLLECTION OF GEGURITAN BY USTADJI PANTJA WIBIARSA
The aim of this research is to describe the indirectness of expression from the collection of geguritan (Javanese poetry) by Ustadji Pantja Wibiarsa, describe a heuristic and hermeneutic reading of the collection of geguritan by Ustadji Pantja Wibiarsa. This type of research is qualitative in the field of literary studies. Data from this research was collected using library techniques, listening techniques and note-taking techniques. The primary data from this research is in the form of words or sentences contained in each geguritan by Ustadji Pantja Wibiarsa, which consists of 37 geguritan titles. Secondary data from this research are books and articles that support this research. Data analysis this research is content analysis. The results of the analysis show that there are indirect expressions of geguritan, including: 1) meaning replacement, which consists of 11 data of simile, 315 data of metaphor, 20 data of personification, 3 data of metonymy, and 5 data of synecdoche, 2) meaning deviation, which consisting of 1 data of ambiguity, 5 data of contradiction, and 6 data of nonsense, 3) meaning creation, which consists of 191 data of enjambment, 24 data of homologues, and 37 data of typography. As for the hermenutical meaning, various meanings were found which were conveyed implicitly, consisting of, efforts to achieve ideals, disobedience, love of the country, life problems, abandoned children, heroes, greed, peace, gratitude, people. old, culture, crime, hostility, peace, and religion.
THE COHESIVE DEVICES IN HIVER.COM AND ITS IMPLICATION IN TEACHING ONLINE WRITING
This research belongs to descriptive qualitative research. The aim of this research to find out the types of cohesive devices in job advertisements and to describe the application the analysis of cohesive devices in job advertisements for teaching writing. The researcher took three job advertisements in hiverhq.com accessed on 16 December 2021. The researcher analyzed the grammatical cohesion and lexical cohesion in sentence based on theory from M.A.K Haliday and Ruqaiya Hasan. The result of this research showed that there were 6 references and 34 conjunctions for grammatical cohesions and 20 repetitions and 3 superordinates for lexical cohesion. However, in grammatical cohesions there was no substitution and ellipsis, whereas in lexical cohesion there is no synonymy or near-synonymy, general word and collocation.
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ECRANIZATION OF RENTANG KISAH FILM DIRECTED BY DANIAL RIFKI
This research is motivated by the lack of research on literary criticism, especially the study of ecranization. Based on these problems, the purpose of this study is to describe the ecranization of Rentang Kisah film by director Danial Rifki. This research method is comparative descriptive with content analysis. The data sources for this research are Rentang Kisah novel by Gita Savitri Devi and Rentang Kisah film by director Danial Rifki. The research instrument is the researcher himself with the help of data recording cards and writing instruments. Data collection techniques are observation techniques and note-taking techniques. Research stages: reading, listening, identifying, taking notes, and classifying. The results of the analysis show that the ecranization process includes: shrinking includes shrinking the setting and setting of the atmosphere; and addition includes adding characters and time setting.
DIRECTIVE SPEECH ACTS IN THE SHORT STORY OF DJAKA LODANG MAGAZINE JANUARY TO MAY 2021 EDITION
This study aims to describe the types of directive speech acts and the function of directive speech acts contained in the short story of Djaka Lodang magazine from January to May 2021 edition. This type of research is a qualitative descriptive study. The data in this study are in the form of quotations contained in short stories. The source of the data is the short story from the January to May 2021 edition of Djaka Lodang magazine. The data were collected using library research and note-taking techniques. Furthermore, it is analyzed through the content analysis method. The results of the analysis are presented in an informal way. This informal method is used to describe the types of directive speech acts and the function of directive speech acts contained in the short story of Djaka Lodang magazine January to May 2021 edition. The results of the directive speech act analysis in the short story of Djaka Lodang magazine January to May 2021 edition are the types of acts directive speech and the function of directive speech acts. The results of the analysis include 6 directive speech acts including the speech acts of inviting 10, asking for 10, ordering 7, requesting 4, suggesting 4, and commanding 10. Of the six types of directive speech acts contained in the short story of Djaka Lodang magazine January to May 2021 edition, each of which has the function of the directive speech act of inviting, asking, ordering, pleading, and suggesting, each of which has the purpose of carrying out an action mentioned in the speech in the short story of Djaka Lodang magazine January to May 2021 edition.
VALUES IN SERAT CEMPORET BY RADEN NGABEHI RANGGAWARSITA
The purpose of the research is to describe the values in Serat Cemporet by R. Ng. Ranggawarsita, especially pupuh I to pupuh XVI and describe the relevance of the values in today's life as well as socio-cultural changes in today’s society. The type of research in this study uses a content analysis model. This research uses Tarigan and Notonegoro's theory of literary values which then limits the research by examining ethical values, social values, moral values, religious values and cultural values. The subject of this research is the manuscript of Serat Cemporet by R. Ng. Ranggawarsita that has been transliterated and translated by Sudibjo Z. Hadisutjipto which is kept in Radya Pustaka Surakarta museum. The research data are the lines of tembang macapat in Serat Cemporet by R. Ng. Ranggawarsita. In the data collection technique, library technique was used, followed by listening and note-taking techniques. In the data analysis technique, the content analysis model was used. The result of this research shows that the stanzas in pupuh I to pupuh XVI contain life values. The life values include (1) Religious values: belief in destiny, gratitude, resignation; (2) Ethical values: speech, manners or manners; (3) Moral values: patience, keeping promises, wisdom, humility, not easily discouraged; (4) Social values: helping, love, loyalty, solidarity; (5) Cultural values: culture in oneself, culture in society. There is a form of relevance of values to life today, as well as socio-cultural changes that existed in ancient times and today
ANALYSIS OF MORAL VALUE IN THE NOVEL PINATRI ING TELENG ATI BY TIWIEK SA
This research aims to describe the intrinsic elements of the novel Pinatri Ing Teleng Ati by Tiwiek SA and describe the moral values contained in the novel Pinatri ing Teleng Ati by Tiwiek SA. This type of research is descriptive qualitative. The data in this study are all forms of moral values in the novel Pinatri ing Teleng Ati by Tiwiek SA. The data source is the novel Pinatri ing Teleng Ati by Tiwiek SA. The data collection technique uses library, listening, and note-taking techniques. The research instruments are the researcher himself and the data recording card. Data analysis used content analysis technique. The results of the research in this study show that the intrinsic elements contained in the novel Pinatri Ing Teleng Ati include theme, place setting and time setting, plot, characterization. The types and forms of moral values found include the moral value of human relations with humans in the social environment and the natural environment, the value of human relations with themselves, the value of human relations with God. The moral values contained in the novel Pinatri ing Teleng Ati by Tiwiek SA can be developed as teaching material for Javanese language learning, namely word choice material (diction) to help interpret the meaning of words in a discourse of literary works.
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ETHICAL VALUES IN THE RUBRIC WACAN BOCAH DJAKA LODANG MAGAZINE AUGUST TO DECEMBER 2020 EDITION
This research aims to describe the ethical values in Wacan Bocah rubric in Djaka Lodang Magazine. This type of research is descriptive qualitative research. The data source is Wacan Bocah rubric of Djaka Lodang magazine in 2020. Data collection techniques used note-taking, library, and translation techniques. The research instrument is the researcher as an instrument assisted by data recording cards. The data validity technique uses credibility or trustworthiness. The data analysis technique uses descriptive technique method and is equipped with data reduction process. Presentation of data analysis results using informal analysis methods. The result of this research shows that the ethical values in Wacan Bocah rubric in Djaka Lodang magazine have three types, namely the ethical values of human relationship with God which includes: praying and thanking God; ethical values of human relations with humans which include: advising, friendship, helping, brotherhood, filial piety; ethical values of human relations with nature which include: praising the beauty of nature and loving animals. The relevance of ethical values in the Wacan Bocah rubric in Djaka Lodang magazine, some are still relevant and some are not relevant to today's life.
JAVANESE LANGUAGE USAGE IN NGADISONO VILLAGE KALIWIRO SUB-DISTRICT WONOSOBO DISTRICT: A PHONO-LEXICAL REVIEW
The purpose of this study is to describe the symptoms of Javanese language use in Ngadisono village in terms of phonological aspects, and lexicon aspects. The theory used is Meillet's theory in Ayatrohaedi (1983), which states that the unity of dialect characteristics is a difference in unity and unity in difference. This research took place in Ngadisono village (BJNg) with a qualitative approach. Linguistic data were obtained from informants in the form of Javanese speech (ngoko and krama). Data collection was done by recording technique, cooperation technique with informants, indepth interviewing technique, listening and note taking technique, questionnaire technique, and introspection technique. Data analysis was carried out using commensurate and distributional methods. From the results of the analysis and discussion in this study, it is obtained that the description of the phonological elements of BJNg does not have much difference with the standard Javanese language, both in sound and form. The difference that appears is in the use of Javanese ngoko which tends to pronounce the phoneme /a/ still realized as /a/ not /ɔ/, both in the antipenultima, penultima, and ultima positions, for example in the word [awan] 'cloud', There is a vowel sound [U] which is an allophone of /o/ phoneme in the word [g Ubl*Ug] 'stupid', a vowel sound [*I] which is an allophone of /ɘ/ phoneme in the word [g*Ig*Ir] 'back', and the use of consonant phoneme /z/ in the word [gize] 'this'. (2) A typical lexicon of BJNg is found which characterizes BJNg and distinguishes it from Javanese in other regions such as, [atlk] 'use', [meak] 'step on', [mlanjar] 'stay', [kontrak] 'forest', [bɛrɛn] 'dirty', [cupɘl] 'short', [bud-budan] 'last', ndlindiŋ] 'bablas', [sandɘr] 'fast', [diagog-agogi] 'threatened', and [nowɘl] 'disappointed'. (3) Thus, it can be concluded that in general, BJNg is close and similar to standard Javanese
A POEM ENTITLED THE CHAOS BY TRENITÉ AS A MEDIUM FOR TEACHING ENGLISH PRONUNCIATION
The purpose of this study is to describe students' mastery in pronouncing English words and to find out the extent to which this media can be used for teaching pronunciation in class X students of SMP Negeri 1 Kajen. This research is an experimental research. The population of this study was the X grade students of SMP Negeri 1 Kajen totaling 259 students. The sample of this research was 64 students by purposive sampling. Data collection techniques using tests and documentation. It was done by giving a pre-test and post-test. While data analysis techniques use descriptive analysis and inferential analysis. Inferential analysis is done manually and SPSS. Student learning outcomes in the pre-test and post-test showed a significant increase. The calculation result of t value is 3,012. This means that Ha is accepted. The highest value of the post-test results was 92 from the experimental group, while the highest value of the post-test results was 85 from the control group. The average value of the Experimental group's post test was 80.06, while the average value of the control group was 74.72. The experimental group was the group that was treated by giving an English poem entitled The Chaos by Trenité. Based on the research findings, the calculated t value is higher than the t table (3.012 > 2.000). From these results, the researcher concluded that Ho was rejected and Ha was accepted. In other words, the results of this study indicate that Trenité's The Chaos can be used for teaching pronunciation in English.
OBJECTIVE STRUCTURAL ANALYSIS OF THE NOVEL JARING KALAMANGGA BY SUPARTO BRATA
The purpose of this research is to know the structural elements of the novel Jaring Kalamangga by Suparto Brata and the possibility of learning the novel Jaring Kalamangga by Suparto Brata at the high school level. The theory used is Nurgiyantoro's structure theory. The object of the research is the novel Jaring Kalamangga by Suparto Brata. The research subject is focused on the objective structural analysis of literature (novel) and the possibility of learning it in high school. The data source of this research is the novel Jaring Kalamangga by Suparto Brata. The instrument of this research is the writer as an instrument assisted by literary books related to the object of this research and data recording paper. Data collection techniques used inductive data review techniques. Data analysis techniques used formal method techniques, namely analysis with or considering formal aspects, aspects of form, namely elements of literary works. The technique of presenting the results of the analysis used informal techniques. The results showed that the novel Jaring Kalamangga with the theme of persistence in seeking the truth can encourage the exposure of crime. In other words, a serious effort will succeed. The elements of the story include: theme, character and characterization, plot, and setting. The plot used is a straight plot; the characters in the novel Jaring Kalamangga are Handaka, Pak Sanggar Padmanaba, Pitrin, Tuan Adib Darwan, Tinuk, Tranggana, Tuan Muin Jingga, Mbok Gin, Inspector Cahyadiwangga, Doctor Azis, Tashudin; and these characters have different characters. The settings used include: place setting, time setting, atmosphere setting, and social setting. The novel Jaring Kalamangga by Suparto Brata can provide good moral messages for humans through the characters in the story. The novel Jaring Kalamangga presents persistence in finding the truth of a matter, all good and bad human actions will get their reward. Learning the novel Jaring Kalamangga by Suparto Brata fosters a brave attitude to do good and enthusiasm.
LANGUAGE STYLE IN THE NOVEL DARADASIH BY SUDIBJO Z. HADI SUTJIPTO
This study aims to describe the types of language styles contained in the novel Daradasih by Sudibjo Z. Hadi Sutjipto. The research theory uses the theory of language style proposed by Tarigan and Keraf. The research data collection technique uses library techniques, namely by reading, recording data and also calculating the observed data. In data analysis techniques, content analysis techniques are used. From the discussion of the problems in this study, it is found that there are seven language styles used in the novel Daradasih, namely simile, personification, metonymy, synecdoke, allusion, metaphor, and sarcasm. The functions of the seven language styles in Daradasih's novel are simile language style functions to compare; personification language style functions to associate inanimate objects like humans; metonimia language style functions as a characteristic or name of things linked to people as a substitute; synecdoke language style functions to state the whole or state for part; allusion language style functions to know the events that occur; metaphor language style functions to compare in a short form; sarcasm language style functions to satirize or mock the very ugly.
ANALYZING ERRORS IN WRITING JAVANESE CHARACTERS AT JAVANESE LANGUAGE LEARNING IN THE ELEVENTH GRADE OF SMA NEGERI 4 PURWOKERTO IN THE ACADEMIC YEAR OF 2022/2023
The aim of this research is to Analyzing Errors in Writing Javanese Characters in Java language learning in class XI Javanese language learning at SMA Negeri 4 Purwokerto for the 2022/2023 academic year. The research was carried out using qualitative descriptive methods. The data used in this research were the results of Javanese character writing carried out by students in class XI at SMA Negeri 4 Purwokerto in the 2022/2023 Academic year by the guidelines of Sriwedari Javanese Character Writing in 1926 and the Provincial Government of the Special Region of Yogyakarta, the Provincial Government of the Regional Level I of Central Java, the Provincial Government of the Regional Level I of East Java in 2002. This research uses a descriptive analysis method, which can explain something that will be researched in Javanese script writing. The results found in this research were errors in writing: a) Writing carakan letters, (b) Writing sandhangan, (c) Writing pairs; (d) Consonant Cluster Markers; (e) Punctuation; and (f) Murda script.
STRUCTURAL STUDY AND MORAL VALUE IN THE NOVEL OMBAK SANDYAKALANIG BY TAMSIR AS
The purpose of this study is to describe the structure and moral values in the novel Ombak Sandyakalaning by Tamsir AS. Data were collected using the method of listening and recording. The researcher as a human instrument assisted by data cards. Data analysis used content analysis method. The results of the research on the structure of the novel Ombak Sandyakalaning by Tamsir AS consist of themes, story facts, and literary means. The theme of Ombak Sandyakalaning is Sabrang's cunning to get Nikmah. Story facts consist of characters and characterizations, plot and setting. The characters in Ombak Sandyakalaning are Darus, Nikmah, Rejeb, Nikmah's mother, Layarini, Rabun, Goan Jie, Sabrang, Tawi brewok, Kiman, Mr. Sulaiman, Mr. Suja'i. The plot of the novel Ombak Sandyakalaning uses a progressive plot. Broadly speaking, the plot in Ombak Sandyakalaning is divided into five parts, namely the introduction stage, the treatment, the rise, the climax stage, and the denouement. The setting of Ombak Sandyakalaning consists of: The time setting is afternoon, four years ago, evening, night, seven years, morning. The setting is in a boat, Sunglon, on an island full of rocks, the seabed. The social setting of Ombak Sandyakalaning deals with the lives of people on the coast who remain poor and miserable. Literary devices consist of title and point of view. The title of the novel is Ombak Sandyakalaning. The point of view is the third person all-knowing point of view. The point of view is the all-knowing third person point of view. The moral values in the novel Ombak Sandyakalaning include: being grateful for God's gifts, not accepting money from something that is not good, if you experience fear, call on the name of God, carrying out the mandate of parents.
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THE ANALYSIS OF DIFFICULTIES IN SPEAKING ENGLISH ENCOUNTERED BY NON ENGLISH STUDENTS
The aims of this study are to find out the students’ difficulties in speaking English and to recognize the cause of the students’ difficulties in speaking English encountered by non English students. This study is qualitative research. The researchers took 50 students at the sixth semester of PGSD in Muhammadiyah University of Purworejo as a sample. The study is descriptive. The researchers use questionnaires to collect the data. The pupils fill the questionnaire through Google Form. Based on the data analysis, the difficulties in speaking English encountered by non-English department students of PGSD at Muhammadiyah University of Purworejo. They are inadequate grammar, limited vocabulary knowledge, and improper pronunciation. In addition, the students have difficulties as a result of another factor, including their lack of participation, inhibition, mother tongue, and the fact that they have nothing to say. The result is students have difficulty in English mastery; grammar, vocabulary and pronunciation so they are low in motivation both in participation and speaking.
This research aims to describe the phenomenon of embedding in nouns. This type of research includes descriptive qualitative research. Data in the form of sentences containing noun embedding were obtained through application X and corpus. The researcher searched for data by typing keywords with the meaning of noun embedding through X application and corpus, such as the words "really", "once", and "so". After the sentences containing the words "really", "once", and "so" were obtained, the data were identified, inventoried, and then grouped based on the characteristics of the form of embedding on nouns. The results of the study show that embedding can occur in several types of nouns: basic nouns, derived nouns, and other nomina's. In the case of basic nouns, it can be classified into (1) gender nouns, (2) kinship nouns, (3) nouns of "supernatural" beings, (4) nouns of a person's name, and (5) temporal nouns. Examples (1)-(4) are animate nouns, while example (5) is an inanimate noun. Derived nouns are found in the form of repetition. All examples of repetitive noun embedding are lifeless nouns. Lastly, other noun embeddings are also found, such as (1) pro-nouns and (2) base words attached with the clitic -nya. The example of noun embedding in (1) is a living noun, while the example in (2) is a lifeless noun. From another point of view, the examples of the phenomenon of noun embedding found include adjective noun-like.
A FOLKLORIC STUDY OF THE FOLKLORE OF GOA SEPLAWAN IN DONOREJO VILLAGE KALIGESING SUB-DISTRICT PURWOREJO REGENCY
This research aims to describe the study of folklore in the folklore of Goa Seplawan, in Donorejo Village, Kaligesing District, Purworejo Regency. This type of research is descriptive qualitative, with the instrument, the researcher as the main instrument. In collecting data, researchers used observation, interviews, documentation and recording techniques, as well as literature studies. After that, the researcher analyzes and then describes the data into narrative text with exposure and description based on the results of the data obtained. After all the data is collected, the researcher draws conclusions from the initial process to the final completion, and compiles the data. Based on the results of the analysis of this research, it can be described about the origin of the folklore of Goa Seplawan, which has been passed down from generation to generation, where the origin of Goa Seplawan itself was formed naturally over a long period of time, and is a creation of God. Furthermore, the elements of myth or belief contained in the folklore of Goa Seplawan are, namely, as a place where supernatural beings exist, have supernatural or supernatural powers, are historical sites, and are considered to be the enactment of noble norms. In addition, there are also different perceptions of some people in Donorejo Village, towards the mythical elements contained in the Goa Seplawan.